The film is framed because the recollections of Sergeant Galoup, a former French legionnaire stationed in Djibouti (he’s played with a mix of cruel reserve and vigorous physicality by the great Denis Lavant). Loosely based on Herman Melville’s 1888 novella “Billy Budd,” the film makes brilliant use from the Benjamin Britten opera that was likewise inspired by Melville’s work, as excerpts from Britten’s opus take over a haunting, nightmarish quality as they’re played over the unsparing training exercises to which Galoup subjects his regiment: A dry swell of shirtless legionnaires standing inside the desert with their arms in the air and their eyes closed like communing with a higher power, or continuously smashing their bodies against one another in the series of violent embraces.

is about working-class gay youths coming together in South East London amid a backdrop of boozy, harmful masculinity. This sweet story about two high school boys falling in love for that first time gets extra credit history for introducing a younger generation to the musical genius of Cass Elliott from The Mamas & The Papas, whose songs dominate the film’s soundtrack. Here are more movies with the best soundtracks.

The movie begins with a handwritten letter from the family’s neighbors to social services, and goes on to chart the aftermath from the girls — who walk with limps and have barely learned to talk — being permitted to wander the streets and meet other youngsters for that first time.

Set in Philadelphia, the film follows Dunye’s attempt to make a documentary about Fae Richards, a fictional Black actress from the 1930s whom Cheryl discovers playing a stereotypical mammy role. Struck by her beauty and yearning to get a film history that reflects someone who looks like her, Cheryl embarks with a journey that — while fictional — tellingly yields more fruit than the real Dunye’s ever experienced.

The movie was impressed by a true story in Iran and stars the actual family members who went through it. Mere days after the news product broke, Makhmalbaf turned her camera about the family and began to record them, directing them to reenact certain scenes depending on a script. The ethical queries raised by such a technique are complex.

Out of your gate, “My very own Private Idaho” promises an uncompromising experience, opening over a close-up of River Phoenix getting a blowjob. There’s a subversion here of Phoenix’s up-til-now raffish Hollywood image, and The instant establishes the extent of vulnerability the actors, both playing extremely sensitive male intercourse workers, will placed on display.

Seen today, steeped in nostalgia with the freedoms of the pre-handover Hong Kong, “Chungking Convey” still feels new. The film’s lasting power is especially impressive while in the face of such a fast-paced world; a world in which nothing could be more valuable than a concrete offer from someone willing to share the same future with you — even if that offer is prepared on a napkin. —DE

“Admit it isn’t all cool calculation new porn with you interracial porn – that you’ve bought a heart – even if it’s small and feeble and you may’t remember the last time you used it,” Marcia Gay Harden’s femme fatale demands of protagonist Tom Reagan (Gabriel Byrne). And for all its steely violence, this film incorporates a heart as well. 

Tarr has never been an overtly political filmmaker (“Politics makes everything way too uncomplicated and primitive for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never experienced a chance”), but revisiting the hypnotic “Sátántangó” now that Hungary is inside the thrall of another authoritarian leader displays both the recursive arc of modern history, plus the full power of Tarr’s sinister parable.

But if someone else is responsible for developing “Mima’s Room,” how does the site’s web site seem to know more about Mima’s thoughts and anxieties than she does herself? Transformatively tailored from a pulpy novel that experienced much less on its mind, “Perfect Blue” tells a DePalma-like story of violent obsession that soon accelerates into the stuff of a full-on psychic collapse (or two).

” It’s a nihilistic schtick that free sex porn he’s played up in interviews, in episodes of “The Simpsons,” and most of all in his individual films.

” The kind streamsex of movie that invented phrases like “offbeat” and “quirky,” this film makes very low-funds filmmaking look easy. Released in 1999 with the tail end of The brand new Queer Cinema wave, “But I’m a Cheerleader” bridged the gap between the first scrappy queer indies and the sex tube hyper-commercialized “The L Word” period.

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Many films and TV collection before and after “Fargo” — not least the Forex drama encouraged via the film — have mined laughs from the foibles of Silly criminals and/or middle-class mannerisms. But Marge gives the original “Fargo” a humanity that’s grounded in regard with the simple, reliable people in the world, the kind whose constancy holds society together amid the chaos of pathological liars, cold-blooded murderers, and squirrely fuck-ups in woodchippers.